Online Prose Contest Winner Announced!

“Paper Cranes” By Cheyana Leatham has been chosen by the editors of Black Rock & Sage as the winner of our inaugural online prose contest!

Additionally, we were trilled to work alongside the ISU art department and Dr. Leekyung Kang as juror who selected the artwork of Clarissa Jackman.

We are incredibly excited about how this venture has turned out and hope that you’ll take the time to view the pieces for yourself.

Check out the full short story and art here.

FutureScapes – A Creative Writing Workshop Opportunity

Hello BR&S Community! An interesting opportunity for student work has come across my desk that I wanted to bring to all y’all: FutureScapes at Utah Valley University.

This competitive annual workshop features leading literary lights, agents, and editors from the realm of speculative fiction. There is also the potential to earn a professional certificate in creative writing as part of the program.

Check out their website for more information and to register:

ISU’s Teaching Literature Book Award Winner – Jews in Medieval England: Teaching Representations of the Other

As part of our editors’ (questionably successful) attempt to bring something new and/or interesting to our community every once in a while, Kristen has read this year’s award winner, Jews in Medieval England: Teaching Representations of the Other. Check out her comments here!

Idaho State University – Teaching Literature Book Award 2019

Kristen W. –

Jews in Medieval England: Teaching Representations of the Other, edited by Miriamne Ara Krummel (University of Dayton) and Tison Pugh (University of Central Florida) won this year’s Teaching Literature Book Award, an international award presented by English faculty of ISU for the best book for the teaching of literature at the collegiate level.

The collection explores actionable methods for bringing critical discussions of otherness, as specifically experienced by Jews in Medieval England, into the literature classroom. It intentionally interrogates motivations behind the design of literature courses, attaching pedagogy to praxis. In doing so, this collection moves to show how the classroom can be a space for students to connect the history of Othering to their own current realities.

As someone who is just starting to teach, and is trying to find a way to attach my own moral preoccupations to teaching as practice, I find this potential intriguing and the collection provides models of various productive approaches. I am especially impressed with the explicit interdisciplinary elements of the texts and with how it negotiates teaching literature as a lens for such a wide range of disciplines. Throughout, there is a clear attention being paid to providing students with both procedural knowledge as well as conceptual knowledge, giving them the tools to explain both how and why Othering is enacted in texts and (as an extension) in reality. Though literature is not my focus, this dualist approach (which very much seems to be grounded in rhetoric and composition) makes the ideas accessible to me and others from various disciplines.

The texts addressed within the collection are also impressive; the cannon is represented – but not unquestionably – as is some (re)discovered diamonds. Further, the text isn’t limited to narratives as the collection explicitly includes images and performances. While analysis is obviously central to the various approaches, even more interesting is the repeated idea of student driven production and performance (drawing, acting, and other methods are discussed at various points).

I highly recommend educators (both experienced and newbs like me) pick this up. Jews in Medieval England: Teaching Representations of the Other not only provides a model for how to approach the concept of Othering in the classroom, it reminds us why doing so matters.

BR&S Fall 2019 Book Club!

Join us in the Black Rock & Sage office (LA 160) this Wednesday (10/23) at 3:30 to talk about The Golden Compass!

There will be light snacks and stimulating conversation. Even if it has been ages since you’ve read it or if you’ve only ever seen the movie, come on by; all are welcome.

Online Issue Submission Window Closing Soon

Hello everyone!

It has been a bit crazy over here in the Black Rock & Sage office, what with mid-terms and all. But really, we are just sitting on pins and needles waiting to review the submissions for the new online publication. Our team decided to try this out for the first time over the summer and are (im)patientially waiting to put our editor caps on and dive into a this new creative venture.

All that being said, you, our lovely community, still has time to throw your respective hats into the ring. But time is, as ever, running out.

The submission window officially closes this Sunday (October 13th). So, dig out one of your pet-projects and send it off into the world.

Check out the page for more info:

Your incredibly nervous yet excited editor,

– Kristen